“I think every human needs a creative outlet, some means of self expression. Music happens to be mine.” Meet Adrien Capozzi, the musical mastermind behind some of the most inventive indielectronic music of the past 2 decades. “But really what keeps me going is the nagging feeling that I can make something more interesting than last time. I just have to try again!”
Originally part of the NYC-based Carpetbomb records crew, he has recently picked up the mantle again after a few years in the wilderness, and hasn’t skipped a beat, so to speak – in 2018, he released no fewer than 4 full-length albums, with another album and EP so far in 2019.
Take a road trip down memory lane as I throw in a virtual mixtape of sun baked tracks pulled from the archives.
This episode is inspired by those late summer jaunts we would take around Labor Day weekend, grabbing at the last straws of summer, trying to enjoy a little bit of warm freedom before fall and winter hit in Michigan. Usually we would drive east towards New York, New Jersey, Boston, just to get away and there would always be lots and lots of music because there was lots and lots of time. We would dub some mixtapes before we would go so we’d have things to listen to in the car.
This article was originally published in the third issue of Masstransfer, 1999.
It has been said that in order to produce a great work of art, the creator must struggle and suffer to achieve the breakthrough that will make their art unique. If this is true, then Perplexa’s new CD is a masterpiece, representing a leap forward in both song quality and musicianship. Sustained by guitarist Rob Schurgin and drummer Jon Wald, Perplexa has survived 4 years of personnel changes, studio relocations and a general life of poverty in order to truly express the music within them.
From the moment I first heard them on the “Psych For Sore Eyes” compilation EP 6 years ago, and up to today – Lorelle Meets the Obsolete remain one of my favorite bands of the decade. The songs they produce are so genuinely unique, there are no direct comparisons or sonic competitors.
After hearing the track, I had to look for more – and I found Corruptible Faces, a swirly amalgam of guitar-noise-drone mixed with hypnotic beats and acoustic treats, layered with the hazy alternating male and female vocals of Lorena and Beto. It took a few months for that album to really sink in, with each passing week revealing a new favorite track.
This article was originally published in the sixth issue of Masstransfer, 2003.
I couldn’t pass this one up – going to another country to see a band from across the Atlantic, one of my favorites at the moment.Sure going to another country was actually just crossing the tunnel to Canada, but since the band was Malory, I would have gone to Mexico to see them!Their sound, which blends early 90’s shoegazing (a la Slowdive) with modern mechanics and technology, is instantly engaging.That said, I was really surprised that hardly anybody showed up!
Malory was playing shows in North America this year as part of the Alison Records tour, that included Skywave, Mellonova, and about five other bands.They played in Windsor, Ontario, at a place called The Diesel Lounge – somewhere that Ratt or Poison likely played at the week before.
Hello, and thanks for joining me on another audio-go-round of cosmic bliss. In this episode, I’m revisiting some of my favorite bands and albums from 2018 – starting off with probably my favorite band of the moment, Ulrika Spacek. In fact, many of the artists in the episode have only flown across my radar in the past few years or so, including , Listening Center, and The Advisory Circle.
Sprinkled in among the new blood are some long-time favorites like I Am Robot And Proud – who released a kickin’ album late last year called Lucky Static; and My Autumn Empire – aka Ben Holton, one-half of the classic British post-rock duo Epic45, with the epic title track from his latest album “Oh, Leaking Universe”.
Rounding out this episode, and easing you into oblivion, comes “A Living Thing” – the title track of the recent album from ambient kingpin Steve Swartz (Swartz Et), who has been immersed in the Detroit space/ambient/folk scene for close to two decades now. At one time, he was part of the dreampop group Au Revoir Borealis, who achieved some success in the early 2000’s. From there he went on to a more acoustic sound with his solo project For Wishes, and in the last few years has gone in a more ambient and conceptual direction. Stay tuned for a Masstransfer Rewind on Au Revoir Borealis in the coming weeks.
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This article was originally published in the fifth issue of Masstransfer, 2002.
With textures that drift in and surround you like a dense fog, Yellow6 has the ability to sound both fragile and thick at the same time. At the moment, Yellow6 and it’s human-form, Jon Attwood, is quite the prolific artist, appearing here and there (and here on the Masstransfer:05 compilation), constantly refining his unique style. Y6 came to being in 1995 as a home-recording project, and has evolved to the digital realm, as well as to the live stage.
Thanks to the wonders of modern technology, the Sonixcursions podcast is now beaming to your town via iTunes and Spotify, as well as good old RSS. As new episodes are released, you will get updates and notifications to join another transcendant musical voyage. Each month or so, I put together a mix of space-rock/dreampop/ambient/electronic/other music that gives you a brief escape from this crazy world, delivered by headphones. Rock on.