This article was originally published in the third issue of Masstransfer, 1999.
Many circumstances inspire people to start a band. For Dallas, it was the ability to actually perform music after 50 years of Soviet domination in their homeland of Estonia. Having been isolated for so long, this group has ridden the explosion of musical elements both native and imported. Formed in 1992 to contribute a track to an Estonian Independence compilation, Dallas has since become the darlings of the scene in Tallinn (capital of Estonia), although certain music charts label them as imports due to their English lyrics and general western flavor. Having been compared to early Cardigans, Stereolab, Pram, etc, this group of spunky youths prove themselves as musically independent as their homeland. They recently found a home on Toronto’s High Park Records, and their debut full-length CD was released in North America earlier this year.