This article was originally published in the third issue of Masstransfer, 1999.
It has been said that in order to produce a great work of art, the creator must struggle and suffer to achieve the breakthrough that will make their art unique. If this is true, then Perplexa’s new CD is a masterpiece, representing a leap forward in both song quality and musicianship. Sustained by guitarist Rob Schurgin and drummer Jon Wald, Perplexa has survived 4 years of personnel changes, studio relocations and a general life of poverty in order to truly express the music within them.
This article was originally published in the sixth issue of Masstransfer, 2003.
I couldn’t pass this one up – going to another country to see a band from across the Atlantic, one of my favorites at the moment.Sure going to another country was actually just crossing the tunnel to Canada, but since the band was Malory, I would have gone to Mexico to see them!Their sound, which blends early 90’s shoegazing (a la Slowdive) with modern mechanics and technology, is instantly engaging.That said, I was really surprised that hardly anybody showed up!
Malory was playing shows in North America this year as part of the Alison Records tour, that included Skywave, Mellonova, and about five other bands.They played in Windsor, Ontario, at a place called The Diesel Lounge – somewhere that Ratt or Poison likely played at the week before.
This article was originally published in the fifth issue of Masstransfer, 2002.
With textures that drift in and surround you like a dense fog, Yellow6 has the ability to sound both fragile and thick at the same time. At the moment, Yellow6 and it’s human-form, Jon Attwood, is quite the prolific artist, appearing here and there (and here on the Masstransfer:05 compilation), constantly refining his unique style. Y6 came to being in 1995 as a home-recording project, and has evolved to the digital realm, as well as to the live stage.
This article was originally published in the first issue of Masstransfer, 1997.
With a style that fits somewhere in between the math-rock time signatures of Polvo and the dreamy textures of Windy & Carl, Atlanta’s Seely has opened eyes on both side of the Atlantic. The band was formed two years ago by the nucleus of guitarists Steven Satterfield and Lori Scacco, with the rhythm section of Joy Waters and Eric Taylor being added shortly after. They recently played at the venerable Lounge Ax in Chicago with a set consisting of 9 songs. Seely opened with “Exploring the Planets” off their latest album on U.K.’s Too Pure label, “Julie Only”, an album that had me mesmerized from start to finish. Prior to “Julie Only”, the band had released an album entitled “Parentha See”, on the American label Third Eye. That project stirs mixed feelings from the band because of friction between them and the label’s owner. Most of the tracks from that album were re-recorded in Chicago with the help John McEntire, ending up on “Julie Only”. They followed with some songs off their forthcoming album: “Adios”, a mellow instrumental; “Love Letters to Rambler”; “Consumer Pet”; “It’s Your Day Karen”; “The Sandpiper”; “How to live Like A Kings’s Kid”, another track from their current album; “San Salvadore”, an unreleased track to be included on an upcoming compilation CD; and finally, “Like White”.