Today is another Bandcamp Friday – and here’s a rundown of the music I’m tracking and looking to pick up today. Check them out if you can! (This is not an exhaustive list, just what I was able to put together this morning)
Fly Pan Am
Montreal post-rock legends return for an extending single, “Mirror Cracks Seeking Interiority“, on their home label Constellation. As part of “Corona Borealis“, Constellation’s first-ever digital series, the label will be releasing “16 artists with new longplaying singles and accompanying experimental film/video, commissioned as part of our pandemic/post-capitalist response for label-affiliated musicians under current conditions.”
FPA saw their 2020 UK/EU tour (their first in 15 years) cancelled, and have been trading music files and ideas during the lockdown. This is the 6th single in the series.
As the world continues to get stranger by the day, let me offer some refuge with a slate of psych, ambient, dream pop and electronic music.
Starting us off is “Penrose At The Edge Of A Hill” (0:00), from an electronic and ambient collaboration between Buffalo’s Survey Channel, and Edmondton’s Cpektir. They traded tracks and ideas over the summer, and produced Myriagon Atlas – “a mental map of the imaginative thought process”.
Hopefully with the weather getting nicer and the lockdown starting to let up, the creative spirits will keep rising and we’ll be able to see live music again. I mean, at any good space rock show, people are 6-feet apart anyways.
I’ve been listening to a lot more music lately, and have also been working on the Masstransfer book that should come out later this summer. Though, it’s hard to believe how quickly a month goes by these days – time seems to have lost some perspective. But not all hope is lost, I still somehow seem to know which day is Monday.
For fans of textured guitar treatments smeared across a sonic canvas, The Virgance (aka Nathan Smith) returns for one final flight with Flying V, released this week by El Vals del Conejo. Though some song titles are a bit combat-oriented (“Wingman”, “Battle Damage”, “Attack Formation”) – the vibe is closer to flying fast through the stratosphere, high above where the Earth seems like a blur. Drum beats add a rhythm and structure, but the sharp edges are smoothed over and add to the pulsing movement of the songs. It’s a sound that shares a similar origin as the hazy realm of Flying Saucer Attack and Third Eye Foundation.
I’m sorry to hear this is the last Virgance album, having followed Nathan’s work for most of the past decade, but also excited to see what his next chapter brings.
“I think every human needs a creative outlet, some means of self expression. Music happens to be mine.” Meet Adrien Capozzi, the musical mastermind behind some of the most inventive indielectronic music of the past 2 decades. “But really what keeps me going is the nagging feeling that I can make something more interesting than last time. I just have to try again!”
Originally part of the NYC-based Carpetbomb records crew, he has recently picked up the mantle again after a few years in the wilderness, and hasn’t skipped a beat, so to speak – in 2018, he released no fewer than 4 full-length albums, with another album and EP so far in 2019.
Welcome to the inaugural episode of Sonixcursions – for our first trip, I’ve selected a number of bands who have been consistently producing stellar outersounds for over 20 years. Many of the bands on this episode can be traced back to the very early issues of the Masstransfer zine – starting with the opener Adrien75 (who Is Still Alive) and the lunar/tropical vibe of “Hawaiian Ring Drum Rum”; plus a throwback track from the band Seely; the dreamy electronics of Lazy Salon (Sean Byrne of Lenola/Twin Atlas); and the California-via-Philly psycountry rockers The Asteroid #4.